An Outback Marriage, A. B. "Banjo" Paterson: III
III
In Push Society
The passing of the evening afterwards is the only true test of a dinner’s success. Many a good dinner, enlivened with wine and made brilliant with repartee, has died out in gloom. The guests have all said their best things during the meal, and nothing is left but to smoke moodily and look at the clock. Our heroes were not of that mettle. They meant to have some sort of fun, and the various amusements of Sydney were canvassed. It was unanimously voted too hot for the theatres, ditto for billiards. There were no supporters for a proposal to stop in the smoking-room and drink, and gambling in the cardrooms had no attractions on such a night. At last Gordon hit off a scent. “What do you say,” he drawled, “if we go and have a look at a dancing saloon—one of these larrikin dancing saloons?”
“I’d like it awfully,” said one Englishman.
“Most interesting” said the other. “I’ve heard such a lot about the Australian larrikin. What they call a basher in England, isn’t it? eh, what? Sort of rough that lays for you with a pal and robs you, eh?”
The Bo’sun rang for cigars and liqueurs, and then answered the question. “Pretty much the same as a basher,” he said, “but with a lot more science and dog-cunning about him. They go in gangs, and if you hit one of the gang, all the rest will ‘deal with you,’ as they call it. If they have to wait a year to get you, they’ll wait, and get you alone some night or other and set on to you. They jump on a man if they get him down, too. Oh, they’re regular beauties.”
“Rather roughish sort of Johnnies, eh?” said the Englishman. “But we might go and see the dancing—no harm in that.”
Pinnock said he had to go back to his office; the globetrotter didn’t care about going out at night; and the Bo’sun tried to laugh the thing off. “You don’t catch me going,” he said. “There’s nothing to be seen—just a lot of flash young rowdies dancing. You’ll gape at them, and they’ll gape at you, and you’ll feel rather a pair of fools, and you’ll come away. Better stop and have a rubber.”
“If you dance with any of their women, you get her particular fancy-man on to you, don’t you?” asked Gordon. “It’s years since I was at that sort of place myself.”
The Bo’sun, who knew nothing about it, assumed the Sir Oracle at once.
“I don’t suppose their women would dance with you if you paid ’em five shillings a step,” he said. “There’d certainly be a fight if they did. Are you fond of fighting, Carew?”
“Not a bit,” replied that worthy. “Never fight if you can help it. No chap with any sense ever does.”
“That’s like me,” said Gordon. “I’d sooner run a mile than fight, any time. I’m like a rat if I’m cornered, but it takes a man with a stockwhip to corner me. I never start fighting till I’m done running. But we needn’t get into a row. I vote we go. Will you come, Carew?”
“Oh, yes; I’d like to,” said the Englishman. “I don’t suppose we need get into a fight.”
So, after many jeers from the Bo’sun, and promises to come back and tell him all about it, Carew and Gordon sallied forth, a pair of men as capable of looking after themselves as one would meet in a day’s march. Stepping into the street they called a cab.
“Where to, sir?” asked the cabman.
“Nearest dancing saloon,” said Gordon, briefly.
“Nearest darncin’ saloon,” said the cabman. “There ain’t no parties tonight, sir; it’s too ’ot.”
“We’re not expecting to drop into a ballroom without being asked, thank you,” said Gordon. “We want to go to one of those saloons where you pay a shilling to go in. Some place where the larrikins go.”
“Ho! is that it, sir?” said the cabman, with a grin. “Well, I’ll take you to a noo place, most selectest place I know. Git up, ’orse.” And off they rattled through the quiet streets, turning corners and crossing tramlines every fifty yards apparently, and bumping against each other in the most fraternal manner.
Soon the cab pulled up in a narrow, ill-lit street, at the open door of a dingy house. Instructing the cabman to wait, they hustled upstairs, to be confronted at the top by a man who took a shilling from each, and then was not sure whether he would admit them. He didn’t seem to like their form exactly, and muttered something to a bystander as they went in. They saw a long, low room, brilliantly lighted by flaring gas jets. Down one side, on wooden forms, was seated a row of flashily-dressed girls—larrikin-esses on their native heath, barmaids from cheap, disreputable hotels, shop girls, factory girls—all sharp-faced and pert, young in years, but old in knowledge of evil. The demon of mischief peeped out of their quick-moving, restless eyes. They had elaborate fringes, and their short dresses exhibited well-turned ankles and legs.
A large notice on the wall stated that “Gentlemen must not dance with nails in their boots. Gentlemen must not dance together.”
“That blocks us,” said Gordon, pointing to the notice. “Can’t dance together, no matter how much we want to. Look at these fellows here.”
Opposite the women sat or lounged a score or two of youths—wiry, hard-faced little fellows, for the most part, with scarcely a sizeable man amongst them. They were all clothed in “push” evening dress—black bell-bottomed pants, no waistcoat, very short black paget coat, white shirt with no collar, and a gaudy neckerchief round the bare throat. Their boots were marvels, very high in the heel and picked out with all sorts of colours down the sides. They looked “varminty” enough for anything; but the shifty eyes, low foreheads, and evil faces gave our two heroes a sense of disgust. The Englishman thought that all the stories he had heard of the Australian larrikin must be exaggerated, and that any man who was at all athletic could easily hold his own among such a poor-looking lot. The whole spectacle was disappointing. The most elaborately decorous order prevailed; no excitement or rough play was noticeable, and their expedition seemed likely to be a failure.
The bushman stared down the room with farseeing eyes, apparently looking at nothing, and contemplated the whole show with bored indifference.
“Nothing very dazzling about this,” he said. “I’m afraid we can’t show you anything very exciting here. Better go back to the club, eh?”
Just then the band (piano and violin) struck up a slow, laboured waltz, “Bid me Goodbye and go,” and each black-coated male, with languid self-possession, strolled across the room, seized a lady by the arm, jerked her to her feet without saying a syllable, and commenced to dance in slow, convulsive movements, making a great many revolutions for very little progress. Two or three girls were left sitting, as their partners were talking in a little knot at the far end of the room; one among them was conspicuously pretty, and she began to ogle Carew in a very pronounced way.
“There’s one hasn’t got a partner,” said Gordon. “Good-looking Tottie, too. Go and ask her to dance. See what she says.”
The Englishman hesitated for a second. “I don’t like asking a perfect stranger to dance,” he said.
“Go on,” said Gordon, “it’s all right. She’ll like it.”
Carew drew down his cuffs, squared his shoulders, assumed his most absolutely stolid drawing-room manner, and walked across the room, a gleaming vision of splendour in his immaculate evening dress.
“May I—er—have the pleasure of this dance?” he said, with elaborate politeness.
The girl giggled a little, but said nothing, then rose and took his arm.
As she did so, a youth among the talkers at the other end of the room looked round, and stared for a second. Then he moistened his fingers with his tongue, smoothed the hair on his temples, and with elbows held out from his sides, shoulders hunched up, and under-jaw stuck well out, bore down on Carew and the girl, who were getting under way when he came up. Taking not the slightest notice of Carew, he touched the girl on the shoulder with a sharp peremptory tap, and brought their dance to a stop.
“ ’Ere,” he said, in commanding tones. “ ’Oo are you darncin’ with?”
“I’m darncin’ with ’im,” answered the girl, pertly, indicating the Englishman with a jerk of her head.
“Ho, you’re darncin’ with ’im, are you? ’E brought you ’ere, p’r’aps?”
“No, he didn’t,” she said.
“No,” said he. “You know well enough ’e didn’t.”
While this conversation was going on, the Englishman maintained an attitude of dignified reserve, leaving it to the lady to decide who was to be the favoured man. At last he felt it was hardly right for an Oxford man, and a triple blue at that, to be discussed in this contemptuous way by a larrikin and his “donah,” so he broke into the discussion, perhaps a little abruptly, but using his most polished style.
“I—ah—asked this lady to dance, and if she—er—will do me the honour,” he said, “I—”
“Oh! you arst ’er to darnce? And what right ’ad you to arst ’er to darnce, you lop-eared rabbit?” interrupted the larrikin, raising his voice as he warmed to his subject. “I brought ’er ’ere. I paid the shillin’. Now then, you take your ’ook,” he went on, pointing sternly to the door, and talking as he would to a disobedient dog. “Go on, now. Take your ’ook.”
The Englishman said nothing, but his jaw set ominously. The girl giggled, delighted at being the centre of so much observation. The band stopped playing, and the dancers crowded round. Word was passed down that it was a “toff darncin’ with Nugget’s donah,” and from various parts of the room black-coated duplicates of Nugget hurried swiftly to the scene.
The doorkeeper turned to Gordon. “You’d best get your mate out o’ this,” he said. “These are the Rocks Push, and they’ll deal with him all right.”
“Deal with him, will they?” said Gordon, looking at the gesticulating Nugget. “They’ll bite off more than they can chew if they interfere with him. This is just his form, a row like this. He’s a bit of a champion in a rough-and-tumble, I believe.”
“Is he?” said the doorkeeper, sardonically. “Well, look ’ere, now, you take it from me, if there’s a row Nugget will spread him out as flat as a newspaper. They’ve all been in the ring in their time, these coves. There’s Nugget, and Ginger, and Brummy—all red ’ot. You get him away!”
Meanwhile the Englishman’s ire was gradually rising. He was past the stage of considering whether it was worth while to have a fight over a factory girl in a shilling dancing saloon, and the desire for battle blazed up in his eyes. He turned and confronted Nugget.
“You go about your business,” he said, dropping all the laboured politeness out of his tones. “If she likes to dance—”
He got no further. A shrill whistle rang through the room; a voice shouted, “Don’t ’it ’im; ’ook ’im!” His arms were seized from behind and pinioned to his sides. The lights were turned out. Somebody in front hit him a terrific crack in the eye at the same moment that someone else administered a violent kick from the rear. He was propelled by an invisible force to the head of the stairs, and then—whizz! down he went in one prodigious leap, clear from the top to the first landing.
Here, in pitch-darkness, he grappled one of his assailants. For a few seconds they swayed and struggled, and then rolled down the rest of the stairs, over and over each other, grappling and clawing, each trying to tear the other’s shirt off. When they rolled into the street, Carew discovered that he had hold of Charlie Gordon.
They sat up and looked at each other. Then they made a simultaneous rush for the stairs, but the street door was slammed in their faces. They kicked it violently, but without result, except that a mob of faces looked out of the first-floor window and hooted, and a bucket of water was emptied over them. A crowd collected as if by magic, and the spectacle of two gentlemen in evening dress trying to kick in the door of a shilling dancing saloon afforded it unmitigated delight.
“ ’Ere’s two toffs got done in all right,” said one.
“What O! Won’t she darnce with you?” said another; and somebody from the back threw banana peel at them.
Charlie recovered his wits first. The Englishman was fairly berserk with rage, and glared round on the bystanders as if he contemplated a rush among them. The cabman put an end to the performance. He was tranquil and unemotional, and he soothed them down and coaxed them into the cab. The band in the room above resumed the dreamy waltz music of “Bid me Goodbye and go!” and they went.
Carew subsided into the corner, breathing hard and feeling his eye. Charlie leant forward and peered out into the darkness. They were nearly at the club before they spoke. Then he said, “Well, I’m blessed! We made a nice mess of that, didn’t we?”
“I’d like to have got one fair crack at some of ’em,” said the Englishman, with heartfelt earnestness. “Couldn’t we go back now?”
“No what’s the good? We’d never get in. Let the thing alone. We needn’t say anything about it. If once it gets known that we were chucked out, we’ll never hear the last of it. Are you marked at all?”
“Got an awful swipe in the eye,” replied the other briefly.
“I’ve got a cut lip, and my head nearly screwed off. You did that. I’ll know the place again. Some day we’ll get a few of the right sort to come with us, and we’ll just go there quietly, as if we didn’t mean anything, and then, all of a sudden, we’ll turn in and break the whole place up! Come and have a drink now.”
They had a silent drink in the deserted club. The mind of each was filled with a sickening sense of defeat, and without much conversation they retired to bed. They thanked heaven that the Bo’sun, Pinnock, and Gillespie had disappeared.
Even then Fate hadn’t quite finished with the bushman. A newly-joined member of the club, he had lived a life in which he had to shift for himself, and the ways of luxury were new to him. Consequently, when he awoke next morning and saw a man moving with catlike tread about his room, absolutely taking the money out of his clothes before his very eyes, he sprang out of bed with a bound and half-throttled the robber. Then, of course, it turned out that it was only the bedroom waiter, who was taking his clothes away to brush them. This contretemps, on top of the overnight mishap, made him determined to get away from town with all speed. When he looked in the glass, he found his lip so much swelled that his moustache stuck out in front like the bowsprit of a ship. At breakfast he joined the Englishman, who had an eye with as many colours as an opal, not to mention a tired look and dusty boots.
“Are you only just up?” asked Charlie, as they contemplated each other.
Carew had resumed his mantle of stolidity, but he coloured a little at the question. “I’ve been out for a bit of a walk round town,” he said. “Fact is,” he added in a sudden burst of confidence, “I’ve been all over town lookin’ for that place where we were last night. Couldn’t find anything like it at all.”
Charlie laughed at his earnestness. “Oh, bother the place,” he said. “If you had found it, there wouldn’t have been any of them there. Now, about ourselves—we can’t show out like this. We’d better be off today, and no one need know anything about it. Besides, I half-killed a waiter this morning. I thought he was some chap stealing my money, when he only wanted to take my clothes away to brush ’em. Sooner we’re out of town the better. I’ll wire to the old man that I’ve taken you with me.”
So saying, they settled down to breakfast, and by tacit agreement avoided the club for the rest of the day.
Before leaving, Charlie had to call and interview Pinnock, and left Carew waiting outside while he went in. He didn’t want to parade their injuries, and knew that Carew’s eye would excite remark; but by keeping his upper lip well drawn over his teeth, he hoped his own trouble would escape notice.
“Seems a harmless sort of chap, that new chum,” said Pinnock.
“He’ll do all right,” said Charlie casually. “I’ve met his sort before. He’s not such a fool as he lets on to be. Shouldn’t wonder if he killed somebody before he gets back here, anyhow.”
“How did you get on at the dancing saloon?” asked Pinnock.
“Oh, slow enough. Nothing worth seeing. Goodbye.”
They sneaked on board the steamer without meeting the Bo’sun or anybody, and before evening were well on their way to No Man’s Land.
IV
The Old Station
There are few countries in the world with such varieties of climate as Australia, and though some stations are out in the great, red-hot, frying wastes of the Never-Never, others are up in the hills where a hot night is a thing unknown, where snow falls occasionally, and where it is no uncommon thing to spend a summer’s evening by the side of a roaring fire. In the matter of improvements, too, stations vary greatly. Some are in a wilderness, with fittings to match; others have telephones between homestead and outstations, the jackeroos dress for dinner, and the station hands are cowed into touching their hats and saying “Sir.” Also stations are of all sizes, and the man who is considered quite a big squatter in the settled districts is thought small potatoes by the magnate “out back,” who shears a hundred and fifty thousand sheep, and has an overdraft like the National Debt.
Kuryong was a hill-country station of about sixty thousand acres all told; but they were good acres, as no one knew better than old Bully Grant, the owner, of whose history and disposition we heard something from Pinnock at the club. It was a highly improved place, with a fine homestead—thanks to Bully Grant’s money, for in the old days it had been a very different sort of place—and its history is typical of the history of hundreds of others.
When Andrew Gordon first bought it, it was held under lease from the Crown, and there were no improvements to speak of. The station homestead, so lovingly descanted upon in the advertisement, consisted of a two-roomed slab hut; the woolshed, where the sheep were shorn, was made of gumtree trunks roofed with bark. The wool went down to Sydney, and station supplies came back, in huge wagons drawn by eighteen or twenty bullocks, that travelled nine miles a day on a journey of three hundred miles. There were no neighbours except at the township of Kiley’s Crossing, which consisted of two public-houses and a store. It was a rough life for the young squatter, and evidently he found it lonely; for on a visit to Sydney he fell in love with and married a dainty girl of French descent. Refined, well-educated, and fragile-looking, she seemed about the last person in the world to take out to a slab-hut homestead as a squatter’s wife. But there is an old saying that blood will tell; and with all the courage of her Huguenot ancestry she faced the roughness and discomforts of bush life. On her arrival at the station the old two-roomed hut was plastered and whitewashed, additional rooms were built, and quite a neat little home was the result. Seasons were good, and the young squatter might have gone on shearing sheep and selling fat stock till the end of his life but for the advent of free selection in .
In that year the Legislature threw open all leasehold lands to the public for purchase on easy terms and conditions. The idea was to settle an industrious peasantry on lands hitherto leased in large blocks to the squatters. This brought down a flood of settlement on Kuryong. At the top end of the station there was a chain of mountains, and the country was rugged and patchy—rich valleys alternating with ragged hills. Here and there about the run were little patches of specially good land, which were soon snapped up. The pioneers of these small settlers were old Morgan Donohoe and his wife, who had built the hotel at Kiley’s Crossing; and, on their reports, all their friends and relatives, as they came out of the “ould country,” worked their way to Kuryong, and built little bits of slab and bark homesteads in among the mountains. The rougher the country, the better they liked it. They were a horse-thieving, sheep-stealing breed, and the talents which had made them poachers in the old country soon made them champion bushmen in their new surroundings. The leader of these mountain settlers was one Doyle, a gigantic Irishman, who had got a grant of a few hundred acres in the mountains, and had taken to himself a Scotch wife from among the free immigrants. The story ran that he was too busy to go to town, but asked a friend to go and pick a wife for him, “a fine shtrappin’ woman, wid a good brisket on her.”
The Doyles were large, slow, heavy men, with an instinct for the management of cattle; they were easily distinguished from the Donohoes, who were little red-whiskered men, enterprising and quick-witted, and ready to do anything in the world for a good horse. Other strangers and outlanders came to settle in the district, but from the original settlement up to the date of our story the two great families of the Doyles and the Donohoes governed the neighbourhood, and the headquarters of the clans was at Donohoe’s “Shamrock Hotel,” at Kiley’s Crossing. Here they used to rendezvous when they went away down to the plains country each year for the shearing; for they added to their resources by travelling about the country shearing, droving, fencing, tanksinking, or doing any other job that offered itself, but always returned to their mountain fastnesses ready for any bit of work “on the cross” (i.e., unlawful) that might turn up. When times got hard they had a handy knack of finding horses that nobody had lost, shearing sheep they did not own, and branding and selling other people’s calves.
When they stole stock, they moved them on through the mountains as quickly as possible, always having a brother or uncle, or a cousin—Terry or Timothy or Martin or Patsy—who had a holding “beyant.” By these means they could shift stolen stock across the great range, and dispose of them among the peaceable folk who dwelt in the good country on the other side, whose stock they stole in return. Many a good horse and fat beast had made the stealthy mountain journey, lying hidden in gaps and gullies when pursuit grew hot, and being moved on as things quieted down.
Another striking feature was the way in which they got themselves mixed up with each other. Their names were so tangled up that no one could keep tally of them. There was a Red Mick Donohoe (son of the old publican), and his cousin Black Mick Donohoe, and Red Mick’s son Mick, and Black Mick’s son Mick, and Red Mick’s son Pat, and Black Mick’s son Pat; and there was Gammy Doyle (meaning Doyle with the lame leg), and Scrammy Doyle (meaning Doyle with the injured arm), and Bosthoon Doyle and Omadhaun Doyle—a Bosthoon being a man who never had any great amount of sense to speak of, while an Omadhaun is a man who began life with some sense, but lost most of it on his journey. It was a common saying in the countryside that if you met a man on the mountains you should say, “Good day, Doyle,” and if he replied, “That’s not my name,” you should at once say, “Well, I meant no offence, Mr. Donohoe.”
One could generally pick which was which of the original stock, but when they came to intermarry there was no telling t’other from which. Startling likenesses cropped up among the relatives, and it was widely rumoured that one Doyle who was known to be in jail, and who was vaguely spoken of by the clan as being “away,” was in fact serving an accumulation of sentences for himself and other members of the family, whose sins he had for a consideration taken on himself.
With such neighbours as these fighting him for every block of land, Andrew Gordon soon came to the end of his resources, and it was then that he had to take in his old manager as a partner. Before Bully Grant had been in the firm long, he had secured nearly all the good land, and the industrious yeomanry that the Land Act was supposed to create were hiding away up the gullies on miserable little patches of bad land, stealing sheep for a living. Bully fought them stoutly, impounded their sheep and cattle, and prosecuted trespassers and thieves; and, his luck being wonderful, he soon added to the enormous fortune he had made in mining, while Andrew Gordon died impoverished. When he died, old Bully gave the management of the stations to his sons, and contented himself with finding fault. But one dimly-remembered episode in his career was talked of by the old hands around Kiley’s Hotel, long after Grant had become a wealthy man, and had gone for long trips to England.
Grant, in spite of the judgment and sagacity on which he prided himself, had at various times in his career made mistakes—mistakes in station management, mistakes about stock, mistakes about men, and last, but not least, mistakes about women; and it was to one of these mistakes that the gossips referred.
When he was a young man working as Mr. Gordon’s manager, and living with the horse-breaker and the ration-carrier on the outstation at Kuryong (in those days a wild, half-civilised place), he had for neighbours Red Mick’s father and mother, the original Mr. and Mrs. Donohoe, and their family. Their eldest daughter, Peggy—“Carrotty Peg,” her relations called her—was at that time a fine, strapping, bush girl, and the only unmarried white woman anywhere near the station. She was as fair-complexioned as Red Mick himself, with a magnificent head of red hair, and the bust and limbs of a young Amazon.
This young woman, as she grew up, attracted the attention of Billy the Bully, and they used to meet a good deal out in the bush. On such occasions, he would possibly be occupied in the inspiriting task of dragging a dead sheep after his horse, to make a trail to lead the wild dogs up to some poisoned meat; while the lady, clad in light and airy garments, with a huge white sunbonnet for headgear, would be riding straddle-legged in search of strayed cows. When Grant left the station, and went away to make his fortune in mining, it was, perhaps, just a coincidence that this magnificent young creature grew tired of the old place and “cleared out,” too. She certainly went away and disappeared so utterly that even her own people did not know what had become of her; to the younger generation her very existence was only a vague tradition. But it was whispered here and muttered there among the Doyles and the Donohoes and their friends and relations, that old Billy the Bully, on one of his visits to the interior, had been married to this undesirable lady by a duly accredited parson, in the presence of responsible witnesses; and that, when everyone had their own, Carrotty Peg, if alive, would be the lady of Kuryong. However, she had never come back to prove it, and no one cared about asking her alleged husband any unpleasant questions.
So much for the history of its owners; now to describe the homestead itself. It had originally consisted of the two-roomed slab hut, which had been added to from time to time. Kitchen, outhouses, bachelors’ quarters, saddle-rooms, and storerooms had been built on in a kind of straggling quadrangle, with many corners and unexpected doorways and passages; and it is reported that a swagman once got his dole of rations at the kitchen, went away, and after turning two or three corners, got so tangled up that when Fate led him back to the kitchen he didn’t recognise it, and asked for rations over again, in the firm belief that he was at a different part of the house.
The original building was still the principal living-room, but the house had grown till it contained about twenty rooms. The slab walls had been plastered and whitewashed, and a wide verandah ran all along the front. Round the house were acres of garden, with great clumps of willows and acacias, where the magpies sat in the heat of the day and sang to one another in their sweet, low warble.
The house stood on a spur running from the hills. Looking down the river from it, one saw level flats waving with long grasses, in which the solemn cattle waded knee-deep. Here and there clumps of willows and stately poplars waved in the breeze. In the clear, dry air all colours were startlingly vivid, and round the nearer foothills wonderful lights and shadows played and shifted, while sometimes a white fleece of mist would drift slowly across a distant hill, like a film of snowy lace on the face of a beautiful woman. Away behind the foothills were the grand old mountains, with their snow-clad tops gleaming in the sun.
The garden was almost as lacking in design as the house. There were acres of fruit trees, with prairie grass growing at their roots, trees whereon grew luscious peaches and juicy egg-plums; long vistas of grapevines, with little turnings and alleys, regular lovers’ walks, where the scent of honeysuckle intoxicated the senses. At the foot of the garden was the river, a beautiful stream, fed by the mountain-snow, and rushing joyously over clear gravel beds, whose million-tinted pebbles dashed in the sunlight like so many opals.
In some parts of Australia it is difficult to tell summer from winter; but up in this mountain-country each season had its own attractions. In the spring the flats were green with lush grass, speckled with buttercups and bachelors’ buttons, and the willows put out their new leaves, and all manner of shy dry-scented bush flowers bloomed on the ranges; and the air was full of the song of birds and the calling of animals. Then came summer, when never a cloud decked the arch of blue sky, and all animated nature drew into the shade of big trees until the evening breeze sprang up, bringing sweet scents of the dry grass and ripening grain. In autumn, the leaves of the English trees turned all tints of yellow and crimson, and the grass in the paddocks went brown; and the big bullock teams worked from dawn till dark, hauling in their loads of hay from the cultivation paddocks.
But most beautiful of all was winter, when logs blazed in the huge fireplaces, and frosts made the ground crisp, and the stock, long-haired and shaggy, came snuffling round the stables, picking up odds and ends of straw; when the grey, snow-clad mountains looked but a stone’s throw away in the intensely clear air, and the wind brought a colour to the cheeks and a tingling to the blood that made life worth living.
Such was Kuryong homestead, where lived Charlie Gordon’s mother and his brother Hugh, with a lot of children left by another brother who, like many others, had gone up to Queensland to make his fortune, and had left his bones there instead; and to look after these young folk there was a governess, Miss Harriott.