Children of the Bush, Henry Lawson: A SKETCH OF MATESHIP

A SKETCH OF MATESHIP

Bill and Jim, professional shearers, were coming into Bourke from the Queensland side. They were horsemen and had two packhorses. At the last camp before Bourke Jim’s packhorse got disgusted and home-sick during the night and started back for the place where he was foaled. Jim was little more than a new-chum jackaroo; he was no bushman and generally got lost when he went down the next gully. Bill was a bushman, so it was decided that he should go back to look for the horse.

Now Bill was going to sell his packhorse, a well-bred mare, in Bourke, and he was anxious to get her into the yards before the horse sales were over; this was to be the last day of the sales. Jim was the best “barracker” of the two; he had great imagination; he was a very entertaining story-teller and conversationalist in social life, and a glib and a most impressive liar in business, so it was decided that he should hurry on into Bourke with the mare and sell her for Bill. Seven pounds, reserve.

Next day Bill turned up with the missing horse and saw Jim standing against a veranda-post of the Carriers’ Arms, with his hat down over his eyes, and thoughtfully spitting in the dust. Bill rode over to him.

“’Ullo, Jim.”

“’Ullo, Bill. I see you got him.”

“Yes, I got him.”

Pause.

“Where’d yer find him?”

“’Bout ten mile back. Near Ford’s Bridge. He was just feedin’ along.”

Pause. Jim shifted his feet and spat in the dust.

“Well,” said Bill at last. “How did you get on, Jim?”

“Oh, all right,” said Jim. “I sold the mare.”

“That’s right,” said Bill. “How much did she fetch?”

“Eight quid;” then, rousing himself a little and showing some emotion, “An’ I could ’a’ got ten quid for her if I hadn’t been a dam’ fool.”

“Oh, that’s good enough,” said Bill.

“I could ’a’ got ten quid if I’d ’a’ waited.”

“Well, it’s no use cryin’. Eight quid is good enough. Did you get the stuff?”

“Oh, yes. They parted all right. If I hadn’t been such a dam’ fool an’ rushed it, there was a feller that would ’a’ given ten quid for that mare.”

“Well, don’t break yer back about it,” said Bill. “Eight is good enough.”

“Yes. But I could ’a’ got ten,” said Jim, languidly, putting his hand in his pocket.

Pause. Bill sat waiting for him to hand over the money; but Jim withdrew his hand empty, stretched, and said:

“Ah, well, Bill, I done it in. Lend us a couple o’ notes.”

Jim had been drinking and gambling all night and he’d lost the eight pounds as well as his own money.

Bill didn’t explode. What was the use? He should have known that Jim wasn’t to be trusted with money in town. It was he who had been the fool. He sighed and lent Jim a pound, and they went in to have a drink.

Now it strikes me that if this had happened in a civilized country (like England) Bill would have had Jim arrested and jailed for larceny as a bailee, or embezzlement, or whatever it was. And would Bill or Jim or the world have been any better for it?

ON THE TUCKER TRACK: A STEELMAN STORY

Steelman and Smith, professional wanderers from New Zealand, took a run over to Australia one year to have a look at the country, and drifted out back, and played cards and “headin’ ’em” at the shearing-sheds (while pretending to be strangers to each other), and sold eye-water and unpatented medicine, and worked the tucker tracks. They struck a streak of bad luck at West-o’-Sunday Station, where they were advised (by the boss and about fifty excited shearers) to go east, and not to stop till they reached the coast. They were tramping along the track towards Bourke; they were very hard up and had to “battle” for tucker and tobacco along the track. They came to a lonely shanty, about two camps west of Bourke.

“We’ll turn off into the scrub and strike the track the other side of the shanty and come back to it,” said Steelman. “You see, if they see us coming into Bourke they’ll say to themselves, ‘Oh, we’re never likely to see these chaps again,’ and they won’t give us anything, or, perhaps, only a pinch of tea or sugar in a big lump of paper. There’s some women that can never see a tucker-bag, even if you hold it right under their noses. But if they see us going out back they’ll reckon that we’ll get a shed likely as not, and we’ll be sure to call there with our cheques coming back. I hope the old man’s got the lumbago, or sciatica, or something.”

“Why?” asked Smith.

“Because whenever I see an old man poking round the place on a stick I always make for him straight and inquire about his trouble; and no matter what complaint he’s got, my old man suffered from it for years. It’s pretty hard graft listening to an old man with a pet leg, but I find it pays; and I always finish up by advising him to try St Jacob’s oil. Perhaps he’s been trying it for years, but that doesn’t matter; the consultation works out all right all the same, and there’s never been a remedy tried yet but I’ve got another.

“I’ve got a lot of Maori and blackfellow remedies in my mind, and when they fail I can fall back on the Chinese; and if that isn’t enough I’ve got a list of my grandmother’s remedies that she wrote down for me when I was leaving home, and I kept it for a curiosity. It took her three days to write them, and I reckon they’ll fill the bill.

“You don’t want a shave. You look better with that stubble on. You needn’t say anything; just stand by and wear your usual expression, and if they ask me what’s the matter with my mate I’ll fix up a disease for you to have, and get something extra on your account, poor beggar!

“I wish we had a chap with us that could sing a bit and run the gamut on a fiddle or something. With a sickly-looking fish like you to stand by and look interesting and die slowly of consumption all the time, and me to do the talking, we’d be able to travel from one end of the bush to the other and live on the fat of the land. I wouldn’t cure you for a hundred pounds:”

They reached the shanty, and there, sure enough, was an old man pottering round with a list to starboard. He was working with a hoe inside a low paling fence round a sort of garden. Steelman and Smith stopped outside the fence.

“Good day, boss!”

“’Day.”

“It’s hot.”

“It’s hot.”

So far it was satisfactory.

He was a little man, with a wiry, red beard. He might have been a Scandinavian.

“You seem to be a bit lame,” said Steelman. “Hurt your foot?”

“Naw,” said the old man. “It’s an old thing.”

“Ah!” said Steelman, “lumbago, I suppose? My father suffered cruel from it for years.”

“Naw,” said the old man, moving closer to the fence. “It ain’t in me back; the trouble’s with me leg.”

“Oh!” said Steelman. “One a bit shorter than the other?”

“Well, yes. It seems to be wearin’ a bit shorter. I must see to it.”

“Hip disease, perhaps?” said Steelman. “A brother o’ mine had——”

“Naw, it’s not in the hip,” said the old man. “My leg’s gone at the knee.”

“Oh! stiff joint; I know what that is. Had a touch of it once myself. An uncle of mine was nearly crippled with it. He used to use St Jacob’s oil. Ever try St Jacob’s oil?”

“Naw,” said the old man, “not that I know of. I’ve used linseed oil though.”

“Linseed oil!” said Steelman; “I’ve never heard of that for stiff knee. How do you use it?”

“Use it raw,” said the old man. “Raw linseed oil; I’ve rubbed it in, and I’ve soaked me leg in it.”

“Soaked your leg in it!” said Steelman. “And did it do it any good?”

“Well, it seems to preserve it—keeps it from warping, and it wears better—and it makes it heavier. It seemed a bit too light before.”

Steelman nudged Smith under cover of the palings. The old man was evidently a bit ratty.

“Well, I hope your leg will soon be all right, boss,” said Steelman.

“Thank you,” said the old man, “but I don’t think there’s much hope. I suppose you want some tucker?”

“Well, yes,” said Steelman, rather taken aback by the old man’s sudden way of putting it. “We’re hard up.”

“Well, come along to the house and I’ll see if I can get yer something,” said the old man; and they walked along outside the fence, and he hobbled along inside, till he came to a little gate at the corner. He opened the gate and stumped out. He had a wooden leg. He wore his trouser-leg down over it, and the palings had hidden the bottom from Steelman and Smith.

He wanted them to stay to dinner, but Steelman didn’t feel comfortable, and thanked him, and said they’d rather be getting on (Steelman always spoke for Smith); so the old man gave them some cooked meat, bread, and a supply of tea and sugar. Steelman watched his face very close, but he never moved a muscle. But when they looked back he was leaning on his hoe, and seemed to be shaking.

“Took you back a bit, Steely, didn’t it?” suggested Smith.

“How do you make that out?” snorted Steelman, turning on him suddenly. “I knew a carpenter who used to soak his planes in raw linseed oil to preserve them and give them weight. There’s nothing funny about that.”

Smith rubbed his head.

A BUSH PUBLICAN’S LAMENT

“... For thirst is long and throats is short
Among the sons o’ men.”
                    M. J. C.

I wish I was spifflicated before I ever seen a pub!

You see, it’s this way. Suppose a cove comes along on a blazin’ hot day in the drought—an’ you ought to know how hell-hot it can be out here—an’ he dumps his swag in the corner of the bar; an’ he turns round an’ he ses ter me, “Look here boss, I ain’t got a lonely steever on me, an’ God knows when I’ll git one. I’ve tramped ten mile this mornin’, an’ I’ll have ter tramp another ten afore to-night. I’m expectin’ ter git on shearin’ with of Baldy Thompson at West-o’-Sunday nex’ week. I got a thirst on me like a sun-struck bone, an’, for God sake, put up a couple o’ beers for me an’ my mate, an’ I’ll fix it up with yer when I come back after shearin’.”

An’ what’s a feller ter do? I bin there meself, an—I put it to you! I’ve known what it is to have a thirst on me.

An’ suppose a poor devil comes along in the jim-jams, with every inch on him jumpin’ an’ a look in his eyes like a man bein’ murdered an’ sent ter hell, an’ a whine in his voice like a whipped cur, an’ the snakes a-chasing of him; an’ he hooks me with his finger ter the far end o’ the bar—as if he was goin’ ter tell me that the world was ended—an’ he hangs over the bar an’ chews me lug, an’ tries to speak, an’ breaks off inter a sort o’ low shriek, like a terrified woman, an’ he says, “For Mother o’ Christ’s sake, giv’ me a drink!” An’ what am I to do? I bin there meself. I knows what the horrors is. He mighter blued his cheque at the last shanty. But what am I ter do? I put it ter you. If I let him go he might hang hisself ter the nex’ leanin’ tree.

What’s a drink? yer might arst—I don’t mind a drink or two; but when it comes to half a dozen in a day it mounts up, I can tell yer. Drinks is sixpence here—I have to pay for it, an’ pay carriage on it. It’s all up ter me in the end. I used sometimes ter think it was lucky I wasn’t west o’ the sixpenny line, where I’d lose a shillin’ on every drink I give away.

An’ supposen a sundowner comes along smokin’ tea-leaves, an’ ses ter me, “Look her, boss! me an’ my mate ain’t had a smoke for three days!” What’s a man ter do? I put it ter you! I’m a heavy smoker meself, an’ I’ve known what it is to be without a smoke on the track. But “nail-rod” is ninepence a stick out here, an’ I have ter pay carriage. It all mounts up, I can tell yer.

An’ supposen Ole King Billy an’ his ole black gin comes round at holiday time and squats on the verander, an’ blarneys an’ wheedles and whines and argues like a hundred Jews an’ ole Irishwomen put tergether, an’ accuses me o’ takin’ his blarsted country from him, an’ makes me an’ the missus laugh; an’ we gives him a bottl’er rum an’ a bag of grub ter get rid of him an’ his rotten ole scarecrow tribe—It all tells up. I was allers soft on the blacks, an’, beside, a ole gin nursed me an’ me mother when I was born, an’ saved me blessed life—not that that mounts to much. But it all tells up, an’ I got me licence ter pay. An’ some bloody skunk goes an’ informs on me for supplyin’ the haboriginalls with intossicatin’ liquor, an’ I have ter pay a fine an’ risk me licence. But what’s a man ter do?

An’ three or four herrin’-gutted jackaroos comes along about dinner-time, when the table’s set and the cookin’ smellin’ from the kichen, with their belts done up three holes, an’ not the price of a feed on ’em. What’s a man ter do? I’ve known what it is ter do a perish on the track meself. It’s not the tucker I think on. I don’t care a damn for that. When the shearers come every one is free to go inter the kitchin an’ forage for hisself when he feels hungry—so long as he pays for his drink. But the jackaroos can’t pay for drinks, an’ I have ter pay carriage on the flour an’ tea an’ sugar an’ groceries—an’ it all tells up by the end o’ the year.

An’ a straight chap that knows me gets a job to take a flock o’ sheep or a mob o’ cattle ter the bloomin’ Gulf, or South Australia, or somewheers—an’ loses one of his horses goin’ out ter take charge, an’ borrers eight quid from me ter buy another. He’ll turn up agen in a year or two an’ most likely want ter make me take twenty quid for that eight—an’ make everybody about the place blind drunk—but I’ve got ter wait, an’ the wine an’ sperit merchants an’ the brewery won’t. They know I can’t do without liquor in the place.

An’ lars’ rains Jimmy Nowlett, the bullick-driver, gets bogged over his axle-trees back there on the Blacksoil Plains between two flooded billerbongs, an’ prays till the country steams an’ his soul’s busted, an’ his throat like a lime-kiln. He taps a keg o’ rum or beer ter keep his throat in workin’ order. I don’t mind that at all, but him an’ his mates git flood-bound for near a week, an’ broach more kegs, an’ go on a howlin’ spree in ther mud, an’ spill mor’n they swipe, an’ leave a tarpaulin off a load, an’ the flour gets wet, an’ the sugar runs out of the bags like syrup, an’— What’s a feller ter do? Do yer expect me to set the law onter Jimmy? I’ve knowed him all my life, an’ he knowed my father afore I was born. He’s been on the roads this forty year, till he’s as thin as a rat, and as poor as a myall black; an’ he’s got a family ter keep back there in Bourke. No, I have ter pay for it in the end, an’ it all mounts up, I can tell yer.

An’ suppose some poor devil of a new-chum black sheep comes along, staggerin’ from one side of the track to the other, and spoutin’ poetry; dyin’ o’ heat or fever, or heartbreak an’ home-sickness, or a life o’ disserpation he’d led in England, an’ without a sprat on him, an’ no claim on the bush; an’ I ketches him in me arms as he stumbles inter the bar, an’ he wants me ter hold him up while he turns English inter Greek for me. An’ I put him ter bed, an’ he gits worse, an’ I have ter send the buggy twenty mile for a doctor—an’ pay him. An’ the jackaroo gits worse, an’ has ter be watched an’ nursed an’ held down sometimes; an’ he raves about his home an’ mother in England, an’ the blarsted University that he was eddicated at—an’ a woman—an’ somethin’ that sounds like poetry in French; an’ he upsets my missus a lot, an’ makes her blubber. An’ he dies, an’ I have ter pay a man ter bury him (an’ knock up a sort o’ fence round the grave arterwards ter keep the stock out), an’ send the buggy agen for a parson, an’—Well, what’s a man ter do? I couldn’t let him wander away an’ die like a dog in the scrub, an’ be shoved underground like a dog, too, if his body was ever found. The Government might pay ter bury him, but there ain’t never been a pauper funeral from my house yet, an’ there won’t be one if I can help it—except it be meself.

An’ then there’s the bother goin’ through his papers to try an’ find out who he was an’ where his friends is. An’ I have ter get the missus to write a letter to his people, an’ we have ter make up lies about how he died ter make it easier for ’em. An’ goin’ through his letters, the missus comes across a portrait an’ a locket of hair, an’ letters from his mother an’ sisters an’ girl; an’ they upset her, an’ she blubbers agin, an’ gits sentimental—like she useter long ago when we was first married.

There was one bit of poetry—I forgit it now—that that there jackaroo kep’ sayin’ over an’ over agen till it buzzed in me head; an’, weeks after, I’d ketch the missus mutterin’ it to herself in the kitchen till I thought she was goin’ ratty.

An’ we gets a letter from the jackaroo’s friends that puts us to a lot more bother. I hate havin’ anythin’ to do with letters. An’ someone’s sure to say he was lambed down an’ cleaned out an’ poisoned with bad bush liquor at my place. It’s almost enough ter make a man wish there was a recorin’ angel.

An’ what’s the end of it? I got the blazin’ bailiff in the place now! I can’t shot him out because he’s a decent, hard-up, poor devil from Bourke, with consumption or somethin’, an’ he’s been talkin’ to the missus about his missus an’ kids; an’ I see no chance of gittin’ rid of him, unless the shearers come along with their cheques from West-o’-Sunday nex’ week and act straight by me. Like as not I’ll have ter roll up me swag an’ take the track meself in the end. They say publicans are damned, an’ I think so, too; an’ I wish I’d bin operated on before ever I seen a pub.

THE SHEARER’S DREAM

Mitchell and I rolled up our swags after New Year and started to tramp west. It had been a very bad season after a long drought. Old Baldy Thompson had only shorn a few bales of grass-seed and burrs, so he said, and thought of taking the track himself; but we hoped to get on shearing stragglers at West-o’-Sunday or one of the stations of the Hungerford track.

It was very hot weather, so we started after sunset, intending to travel all night. We crossed the big billabong, and were ploughing through the dust and sand towards West Bourke, when a buggy full of city girls and swells passed by. They were part of a theatrical company on tour in the Back-Blocks, and some local Johnnies. They’d been driven out to see an artesian bore, or wool-shed, or something. The horses swerved, and jerked a little squawk out of one of the girls. Then another said:

“Ow-w! Two old swaggies. He! he! he!”

I glanced at Mitchell to see if he was hit, and caught his head down; but he pulled himself up and pretended to hitch his swag into an easier position.

About a hundred yards further on he gave me a side look and said:

“Did that touch you, Harry”

“No,” I said, and I laughed.

“You see,” reflected Mitchell, “they’re more to be pitied than blamed. It’s their ignorance. In the first place, we’re not two old tramps, as they think. We are professional shearers; and the Australian shearers are about the most independent and intelligent class of men in the world. We’ve got more genius in one of our little fingers than there is in the whole of that wagonette-load of diddle-daddle and fiddle-faddle and giggles. Their intellects are on a level with the rotten dramas they travel with, and their lives about as false. They are slaves to the public, and their home is the pub-parlour, with sickly, senseless Johnnies to shout suppers and drink for them and lend their men money. If one of those girls is above the average, how she must despise those Johnnies—and the life! She must feel a greater contempt for them than the private-barmaid does for the boozer she cleans out. He gets his drink and some enjoyment, anyhow. And how she must loathe the life she leads! And what’s the end of it as often as not? I remember once, when I was a boy, I was walking out with two aunts of mine—they’re both dead now. God rest their fussy, innocent old souls!—and one of ’em said suddenly, ‘Look! Quick, Jack! There’s Maggie So-and-So, the great actress.’ And I looked and saw a woman training vines in a porch. It seemed like seeing an angel to me, and I never forgot her as she was then. The diggers used to go miles out of town to meet the coach that brought her, and take the horses out and drag it in, and throw gold in her lap, and worship her.

“The last time I was in Sydney I saw her sitting in the back parlour of a third-rate pub. She was dying of dropsy and couldn’t move from her chair. She showed me a portrait of herself as I remembered her, and talked quite seriously about going on the stage again.

“Now, our home is about two thousand miles wide, and the world’s our stage. If the worst comes to the worst we can always get tucker and wood and water for nothing. If we’re camping at a job in a tent there’s no house-cleaning to bother us. All we’ve got to do when the camp gets too dirty is to shift the tent to a fresh place. We’ve got time to think and—we’re free.

“But then, agen,” he reflected, “there’s the world’s point of view to be considered. Some day I might be flashing past in a buggy or saloon-carriage—or, the chances are it will be you—and you might look out the window and see an old swaggy tramping along in the dust, or camped under a strip of calico in the rain in the scrub. (And it might be me—old Mitchell—that really wrote your books, only the world won’t know it.) And then you’ll realize what a wretched, miserable life it was. We never realize the miseries of life till we look back—the mistakes and miseries that had to be and couldn’t be helped. It’s all luck—luck and chance.”

But those girls seemed to have gravelled Mitchell, and he didn’t seem able to talk himself round. He tramped on, brooding for a while, and then suddenly he said:

“Look here, Harry! Those girls are giving a dance to-night, and if I liked to go back to Bourke and tog up and go to the dance I could pick out the prettiest, dance with her all the evening, and take her for a stroll afterwards, old tramp as they thought me. I’ve lived—but it wouldn’t be worth my while now.”

I’d seen Jack in a mood like this before, and thought it best to say nothing. Perhaps the terrible heat had affected him a little. We walked on in silence until we came to the next billabong. “Best boil the billy here, Harry,” said Mitchell, “and have some tea before we go any further.”

I got some sticks together and made a fire and put the billy on. The country looked wretched—like the ghost of a burnt-out land—in the moonlight. The banks of the creek were like ashes, the thin, gnarled gum-bush seemed dry-rotting fast, and in many places the surface of the ground was cracked in squares where it had shrunk in the drought. In the bed of the creek was a narrow gutter of water that looked like bad milk.

Mitchell sat on his swag, with his pint of tea on the ground by his foot, and chewed his pipe.

“What’s up, Jack?” I asked. “Have you got the blues?”

“Well, yes, Harry,” he said. “I’m generally dull the first day on the track. The first day is generally the worst, anywhere or anytime—except, perhaps, when you’re married.... I got—well, I got thinking of the time when a woman’s word could have hurt me.”

Just then one of the “travellers” who were camped a bit up the creek suddenly commenced to sing. It was a song called “The Shearer’s Dream,” and I suppose the buggy of girls, or the conversation they started, reminded him of it. He started his verses and most of his lines with a howl; and there were unexpected howls all through the song, and it wailed off, just as unexpectedly, in places where there was no pathos that I could see:

Oh, I dreamt I shore in a shearer’s shed, and it was a dream of joy,
For every one of the rouseabouts was a girl dressed up as a boy—
Dressed up like a page in a pantomime, and the prettiest ever seen—
They had flaxen hair, they had coal-black hair—and every shade between.

“Every” with sudden and great energy, a long drop on to “shade,” and a wail of intense sadness and regret running on into “between,” the dirge reaching its wailsomest in the “tween” in every case.

The shed was cooled by electric fans that was over every “shoot”;
The pens was of polished ma-ho-gany, and ev’rything else to suit;
The huts was fixed with spring-mattresses, and the tucker was simply grand,
And every night by the biller-bong we darnced to a German band.

“Chorus, boys!”

There was short, plump girls, there was tall, slim girls, and the handsomest ever seen
They was four-foot-five, they was six-foot high, and hevery size between.

Our pay was the wool on the jumbucks’ backs, so we shore till all was blue
The sheep was washed afore they was shore (and the rams was scented too);
And we all of us cried when the shed cut out, in spite of the long, hot days,
For hevery hour them girls waltzed in with whisky and beer on tr-a-a-a-ys!

“Chorus! you ——!”

They had kind grey eyes, they had coal-black eyes, and the grandest ever seen
They had plump pink hands, they had slim white hands, and hevery shape be-tw-e-e-n.

There was three of them girls to every chap, and as jealous as they could be—

“Ow! you ——”

The singer’s voice or memory seemed suddenly to have failed him at this point, but whether his mates hit him on the back of the head with a tomahawk, or only choked him, I do not know. Mitchell was inclined to think, from the sound of it, that they choked him.