THE DOG

The dog is a member of society who likes to have his day's work, and who does it more conscientiously than most human beings. A dog always looks as if he ought to have a pipe in his mouth and a black bag for his lunch, and then he would go quite happily to office every day.

A dog without work is like a man without work, a nuisance to himself and everybody else. People who live about town, and keep a dog to give the children hydatids and to keep the neighbours awake at night, imagine that the animal is fulfilling his destiny. All town dogs, fancy dogs, show dogs, lap-dogs, and other dogs with no work to do, should be abolished; it is only in the country that a dog has any justification for his existence.

The old theory that animals have only instinct, not reason, to guide them, is knocked endways by the dog. A dog can reason as well as a human being on some subjects, and better on others, and the best reasoning dog of all is the sheep-dog. The sheep-dog is a professional artist with a pride in his business. Watch any drover's dogs bringing sheep into the yards. How thoroughly they feel their responsibility, and how very annoyed they get if a stray dog with no occupation wants them to stop and fool about! They snap at him and hurry off, as much as to say: “You go about your idleness. Don't you see this is my busy day?”

Sheep-dogs are followers of Thomas Carlyle. They hold that the only happiness for a dog in this life is to find his work and to do it. The idle, 'dilettante', non-working, aristocratic dog they have no use for.

The training of a sheep-dog for his profession begins at a very early age. The first thing is to take him out with his mother and let him see her working. He blunders lightheartedly, frisking along in front of the horse, and his owner tries to ride over him, and generally succeeds. It is amusing to see how that knocks all the gas out of a puppy, and with what a humble air he falls to the rear and glues himself to the horse's heels, scarcely daring to look to the right or to the left, for fear of committing some other breach of etiquette.

He has had his first lesson—to keep behind the horse until he is wanted. Then he watches the old slut work, and is allowed to go with her round the sheep; and if he shows any disposition to get out of hand and frolic about, the old lady will bite him sharply to prevent his interfering with her work.

By degrees, slowly, like any other professional, he learns his business. He learns to bring sheep after a horse simply at a wave of the hand; to force the mob up to a gate where they can be counted or drafted; to follow the scent of lost sheep, and to drive sheep through a town without any master, one dog going on ahead to block the sheep from turning off into by-streets while the other drives them on from the rear.

How do they learn all these things? Dogs for show work are taught painstakingly by men who are skilled in handling them; but, after all, they teach themselves more than the men teach them. It looks as if the acquired knowledge of generations were transmitted from dog to dog. The puppy, descended from a race of sheep-dogs, starts with all his faculties directed towards the working of sheep; he is half-educated as soon as he is born. He can no more help working sheep than a born musician can help being musical, or a Hebrew can help gathering in shekels. It is bred in him. If he can't get sheep to work, he will work a fowl; often and often one can see a collie pup painstakingly and carefully driving a bewildered old hen into a stable, or a stock-yard, or any other enclosed space on which he has fixed his mind. How does he learn to do that? He didn't learn it at all. The knowledge was born with him.

When the dog has been educated, or has educated himself, he enjoys his work; but very few dogs like work “in the yards”. The sun is hot, the dust rises in clouds, and there is nothing to do but bark, bark, bark—which is all very well for learners and amateurs, but is beneath the dignity of the true professional sheep-dog. When they are hoarse with barking and nearly choked with dust, the men lose their tempers and swear at them, and throw clods of earth at them, and sing out to them “Speak up, blast you!”

Then the dogs suddenly decide that they have done enough for the day. Watching their opportunity, they silently steal over the fence, and hide in any cool place they can find. After a while the men notice that hardly any are left, and operations are suspended while a great hunt is made into outlying pieces of cover, where the dogs are sure to be found lying low and looking as guilty as so many thieves. A clutch at the scruff of the neck, a kick in the ribs, and they are hauled out of hiding-places; and accompany their masters to the yard frolicking about and pretending that they are quite delighted to be going back, and only hid in those bushes out of sheer thoughtlessness. He is a champion hypocrite, is the dog.

Dogs, like horses, have very keen intuition. They know when the men around them are frightened, though they may not know the cause. In a great Queensland strike, when the shearers attacked and burnt Dagworth shed, some rifle-volleys were exchanged. The air was full of human electricity, each man giving out waves of fear and excitement. Mark now the effect it had on the dogs. They were not in the fighting; nobody fired at them, and nobody spoke to them; but every dog left his master, left the sheep, and went away to the homestead, about six miles off. There wasn't a dog about the shed next day after the fight. The noise of the rifles had not frightened them, because they were well-accustomed to that.*

     * The same thing happened constantly with horses in the
     South African War. A loose horse would feed contentedly
     while our men were firing, but when our troops were being
     fired at the horses became uneasy, and the loose ones would
     trot away. The excitement of the men communicated itself to
     them.

Dogs have an amazing sense of responsibility. Sometimes, when there are sheep to be worked, an old slut who has young puppies may be greatly exercised in her mind whether she should go out or not. On the one hand, she does not care about leaving the puppies, on the other, she feels that she really ought to go rather than allow the sheep to be knocked about by those learners. Hesitatingly, with many a look behind her, she trots out after the horses and the other dogs. An impassioned appeal from the head boundary rider, “Go back home, will yer!” is treated with the contempt it deserves. She goes out to the yards, works, perhaps half the day, and then slips quietly under the fences and trots off home, contented.

THE DOG—AS A SPORTSMAN

The sheep-dog and the cattle-dog are the workmen of the animal kingdom; sporting and fighting dogs are the professionals and artists.

A house-dog or a working-dog will only work for his master; a professional or artistic dog will work for anybody, so long as he is treated like an artist. A man going away for a week's shooting can borrow a dog, and the dog will work for him loyally, just as a good musician will do his best, though the conductor is strange to him, and the other members of the band are not up to the mark. The musician's art is sacred to him, and that is the case with the dog—Art before everything.

It is a grand sight to see a really good setter or pointer working up to a bird, occasionally glancing over his shoulder to see if the man with the gun has not lost himself. He throws his whole soul into his work, questing carefully over the cold scent, feathering eagerly when the bird is close, and at last drawing up like a statue. Not Paganini himself ever lost himself in his art more thoroughly than does humble Spot or Ponto. It is not amusement and not a mere duty to him; it is a sacred gift, which he is bound to exercise.

A pointer in need of amusement will play with another dog—the pair pretending to fight, and so on, but when there is work to be done, the dog is lost in the artist. How crestfallen he looks if by any chance he blunders on to a bird without pointing it! A fiddler who has played a wrong note in a solo is the only creature who can look quite so discomfited. Humanity, instead of going to the ant for wisdom, should certainly go to the dog.

Sporting dogs are like other artists, in that they are apt to get careless of everything except their vocation. They are similarly quite unreliable in their affections. They are not good watch dogs, and take little interest in chasing cats. They look on a little dog that catches rats much as a great musician looks on a cricketer—it's clever, but it isn't Art.

Hunting and fighting dogs are the gladiators of the animal world. A fox-hound or a kangaroo-dog is always of the same opinion as Mr. Jorrocks:—“All time is wasted what isn't spent in 'untin'.”

A greyhound will start out in the morning with three lame legs, but as soon as he sees a hare start he must go. He utterly forgets his sorrows in the excitement, just as a rowing-man, all over boils and blisters, will pull a desperate race without feeling any pain. Such dogs are not easily excited by anything but a chase, and a burglar might come and rob the house and murder the inmates without arousing any excitement among them. Guarding a house is “not their pidgin” as the Chinese say. That is one great reason for the success of the dog at whatever branch of his tribe's work he goes in for—he is so thorough. Dogs who are forced to combine half-a-dozen professions never make a success at anything. One dog one billet is their motto.

The most earnest and thorough of all the dog tribe is the fighting dog. His intense self-respect, his horror of brawling, his cool determination, make him a pattern to humanity. The bull-dog or bull-terrier is generally the most friendly and best-tempered dog in the world; but when he is put down in the ring he fights till he drops, in grim silence, though his feet are bitten through and through, his ears are in rags, and his neck a hideous mass of wounds.

In a well-conducted dog-fight each dog in turn has to attack the other dog, and one can see fierce earnestness blazing in the eye of the attacker as he hurls himself on the foe. What makes him fight like that? It is not bloodthirstiness, because they are neither savage nor quarrelsome dogs: a bulldog will go all his life without a fight, unless put into a ring. It is simply their strong self-respect and stubborn pride which will not let them give in. The greyhound snaps at his opponent and then runs for his life, but the fighting dog stands to it till death.

Just occasionally one sees the same type of human being—some quiet-spoken, good-tempered man who has taken up glove-fighting for a living, and who, perhaps, gets pitted against a man a shade better than himself. After a few rounds he knows he is overmatched, but there is something at the back of his brain that will not let him cave in. Round after round he stands punishment, and round after round he grimly comes up, till, possibly, his opponent loses heart, or a fluky hit turns the scale in his favour. These men are to be found in every class of life. Many of the gamest of the game are mere gutter-bred boys who will continue to fight long after they have endured enough punishment to entitle them to quit.

You can see in their eyes the same hard glitter that shows in the bulldog's eyes as he limps across the ring, or in the eye of the racehorse as he lies down to it when his opponent is outpacing him. It is grit, pluck, vim, nerve force; call it what you like, and there is no created thing that has more of it than the dog.

The blood-lust is a dog-phase that has never been quite understood. Every station-owner knows that sometimes the house-dogs are liable to take a sudden fit of sheep-killing. Any kind of dog will do it, from the collie downward. Sometimes dogs from different homesteads meet in the paddocks, having apparently arranged the whole affair beforehand. They are very artful about it, too. They lie round the house till dark, and then slink off and have a wild night's blood-spree, running down the wretched sheep and tearing their throats open; before dawn they slink back again and lie around the house as before. Many and many a sheep-owner has gone out with a gun and shot his neighbour's dogs for killing sheep which his own wicked, innocent-looking dogs had slain.

CONCERNING A STEEPLECHASE RIDER

Of all the ways in which men get a living there is none so hard and so precarious as that of steeplechase-riding in Australia. It is bad enough in England, where steeplechases only take place in winter, when the ground is soft, where the horses are properly schooled before being raced, and where most of the obstacles will yield a little if struck and give the horse a chance to blunder over safely.

In Australia the men have to go at racing-speed, on very hard ground, over the most rigid and uncompromising obstacles—ironbark rails clamped into solid posts with bands of iron. No wonder they are always coming to grief, and are always in and out of hospital in splints and bandages. Sometimes one reads that a horse has fallen and the rider has “escaped with a severe shaking.”

That “shaking”, gentle reader, would lay you or me up for weeks, with a doctor to look after us and a crowd of sympathetic friends calling to know how our poor back was. But the steeplechase-rider has to be out and about again, “riding exercise” every morning, and “schooling” all sorts of cantankerous brutes over the fences. These men take their lives in their hands and look at grim death between their horses' ears every time they race or “school”.

The death-record among Australian cross-country jockeys and horses is very great; it is a curious instance of how custom sanctifies all things that such horse-and-man slaughter is accepted in such a callous way. If any theatre gave a show at which men and horses were habitually crippled or killed in full sight of the audience, the manager would be put on his trial for manslaughter.

Our race-tracks use up their yearly average of horses and men without attracting remark. One would suppose that the risk being so great the profits were enormous; but they are not. In “the game” as played on our racecourses there is just a bare living for a good capable horseman while he lasts, with the certainty of an ugly smash if he keeps at it long enough.

And they don't need to keep at it very long. After a few good “shakings” they begin to take a nip or two to put heart into them before they go out, and after a while they have to increase the dose. At last they cannot ride at all without a regular cargo of alcohol on board, and are either “half-muzzy” or shaky according as they have taken too much or too little.

Then the game becomes suicidal; it is an axiom that as soon as a man begins to funk he begins to fall. The reason is that a rider who has lost his nerve is afraid of his horse making a mistake, and takes a pull, or urges him onward, just at the crucial moment when the horse is rattling up to his fence and judging his distance. That little, nervous pull at his head or that little touch of the spur, takes his attention from the fence, with the result that he makes his spring a foot too far off or a foot too close in, and—smash!

The loafers who hang about the big fences rush up to see if the jockey is killed or stunned; if he is, they dispose of any jewellery he may have about him; they have been known almost to tear a finger off in their endeavours to secure a ring. The ambulance clatters up at a canter, the poor rider is pushed in out of sight, and the ladies in the stand say how unlucky they are—that brute of a horse falling after they backed him. A wolfish-eyed man in the Leger-stand shouts to a wolfish-eyed pal, “Bill, I believe that jock was killed when the chestnut fell,” and Bill replies, “Yes, damn him, I had five bob on him.” And the rider, gasping like a crushed chicken, is carried into the casualty-room and laid on a little stretcher, while outside the window the bookmakers are roaring “Four to one bar one,” and the racing is going on merrily as ever.

These remarks serve to introduce one of the fraternity who may be considered as typical of all. He was a small, wiry, hard-featured fellow, the son of a stockman on a big cattle-station, and began life as a horse-breaker; he was naturally a horseman, able and willing to ride anything that could carry him. He left the station to go with cattle on the road, and having picked up a horse that showed pace, amused himself by jumping over fences. Then he went to Wagga, entered the horse in a steeplechase, rode him himself, won handsomely, sold the horse at a good price to a Sydney buyer, and went down to ride it in his Sydney races.

In Sydney he did very well; he got a name as a fearless and clever rider, and was offered several mounts on fine animals. So he pitched his camp in Sydney, and became a fully-enrolled member of the worst profession in the world. I had known him in the old days on the road, and when I met him on the course one day I enquired how he liked the new life.

“Well, it's a livin',” he said, “but it's no great shakes. They don't give steeplechase-riders a chance in Sydney. There's very few races, and the big sweepstakes keep horses out of the game.”

“Do you get a fair share of the riding?” I asked.

“Oh, yes; I get as much as anybody. But there's a lot of 'em got a notion I won't take hold of a horse when I'm told (i.e., pull him to prevent him winning). Some of these days I'll take hold of a horse when they don't expect it.”

I smiled as I thought there was probably a sorry day in store for some backer when the jockey “took hold” unexpectedly.

“Do you have to pull horses, then, to get employment?”

“Oh, well, it's this way,” he said, rather apologetically, “if an owner is badly treated by the handicapper, and is just giving his horse a run to get weight off, then it's right enough to catch hold a bit. But when a horse is favourite and the public are backing him it isn't right to take hold of him then. I would not do it.” This was his whole code of morals—not to pull a favourite; and he felt himself very superior to the scoundrel who would pull favourites or outsiders indiscriminately.

“What do you get for riding?” I asked him.

“Well,” he said, looking about uneasily, “we're supposed to get a fiver for a losing mount and ten pounds if we win, but a lot of the steeplechase-owners are what I call 'battlers'—men who have no money and get along by owing everybody. They promise us all sorts of money if we win, but they don't pay if we lose. I only got two pounds for that last steeplechase.”

“Two pounds!” I made a rapid calculation. He had ridden over eighteen fences for two pounds—had chanced his life eighteen times at less than half-a-crown a time.

“Good Heavens!” I said, “that's a poor game. Wouldn't you be better back on the station?”

“Oh, I don't know—sometimes we get laid a bit to nothing, and do well out of a race. And then, you know, a steeplechase rider is somebody—not like an ordinary fellow that is just working.”

I realised that I was an “ordinary fellow who was just working”, and felt small accordingly.

“I'm just off to weigh now,” he said—“I'm riding Contractor, and he'll run well, but he always seems to fall at those logs. Still, I ought to have luck to-day. I met a hearse as I was coming out. I'll get him over the fences, somehow.”

“Do you think it lucky, then, to meet a hearse?”

“Oh, yes,” he said, “if you meet it. You mustn't overtake it—that's unlucky. So is a cross-eyed man unlucky. Cross-eyed men ought to be kept off racecourses.”

He reappeared clad in his racing rig, and we set off to see the horse saddled. We found the owner in a great state of excitement. It seemed he had no money—absolutely none whatever—but had borrowed enough to pay the sweepstakes, and stood to make something if the horse won and lose nothing if he lost, as he had nothing to lose. My friend insisted on being paid two pounds before he would mount, and the owner nearly had a fit in his efforts to persuade him to ride on credit. At last a backer of the horse agreed to pay 2 pounds 10s., win or lose, and the rider was to get 25 pounds out of the prize if he won. So up he got; and as he and the others walked the big muscular horses round the ring, nodding gaily to friends in the crowd, I thought of the gladiators going out to fight in the arena with the cry of “Hail, Caesar, those about to die salute thee!”

The story of the race is soon told. My friend went to the front at the start and led nearly all the way, and “Contractor!” was on every one's lips as the big horse sailed along in front of his field. He came at the log-fence full of running, and it looked certain that he would get over. But at the last stride he seemed to falter, then plunged right into the fence, striking it with his chest, and, turning right over, landed on his unfortunate rider.

A crowd clustered round and hid horse and rider from view, and I ran down to the casualty-room to meet him when the ambulance came in. The limp form was carefully taken out and laid on a stretcher while a doctor examined the crushed ribs, the broken arm, and all the havoc that the horse's huge weight had wrought.

There was no hope from the first. My poor friend, who had so often faced Death for two pounds, lay very still awhile. Then he began to talk, wandering in his mind, “Where are the cattle?”—his mind evidently going back to the old days on the road. Then, quickly, “Look out there—give me room!” and again “Five-and-twenty pounds, Mary, and a sure thing if he don't fall at the logs.”

Mary was sobbing beside the bed, cursing the fence and the money that had brought him to grief. At last, in a tone of satisfaction, he said, quite clear and loud: “I know how it was—There couldn't have been any dead man in that hearse!”

And so, having solved the mystery to his own satisfaction, he drifted away into unconsciousness—and woke somewhere on the other side of the big fence that we can neither see through nor over, but all have to face sooner or later.